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Disc Jockey, Writer, and Sports Radio Personality

A Career On Air

Richard Neer has worked at three stations for the majority of his lifelong career in radio鈥攁 rarity in this business. 鈥淲NEW-FM and WNEW-AM were legendary, and WFAN was the first all-sports talk station in the country. I鈥檝e been on three legacy stations,鈥� says Mr. Neer. 鈥淲hen the history of radio is written鈥�those will be among the biggest, most important radio stations in the history of the medium.

A radio veteran, Mr. Neer credits his experience at the University with launching him on a successful career. As a freshman at Adelphi he walked into the University鈥檚 AM station, WALI, and asked if he could do a radio show. He convinced his roommate, George Yulis 鈥�69, to host it with him. 鈥淲e were doing a show two to three times a week,鈥� he recalls. 鈥淚t was loose, we talked a little bit, and when we ran out of things to say, we put a record on. And that鈥檚 how I got started.鈥�

鈥淲hat was great about Adelphi was that it was a small University鈥攜ou got to know everybody,鈥� he says. 鈥淚f I went to a big school, there鈥檚 no way I could have walked into the radio station and gotten the chance to go on the air. It wasn鈥檛 going to happen鈥攁nd had it not happened the way it did at Adelphi, I probably wouldn鈥檛 be where I am now.鈥�

By the time Mr. Neer was a sophomore, he landed a job as a classical announcer at the radio听station WLIR鈥攖hanks to Robert Wynn (Bob) Jackson 鈥�70, fellow DJ at WALI. 鈥淭he general manager of WALI, Ted Webb, was also a DJ at WLIR, which played Broadway tunes and classical music at the time. He was looking for someone to do a classical show on WLIR, and asked my roommate Bob, who did WALI鈥檚 classical show, to come in and audition. I had a car so I gave Bob a ride to the station.鈥�

After Mr. Jackson read, and was told that he wasn鈥檛 what they were looking for, he asked Mr. Neer for some advice. 鈥淚 told Bob to read deep in his voice and project the artists鈥� names,鈥� he says. What Mr. Neer didn鈥檛 know was that the microphone was still on and Webb was listening on the other side of the glass鈥攁nd he liked what he heard. With the encouragement of Jackson, Mr. Neer auditioned, was hired on the spot, and did his first show the following weekend.

He continued there throughout the rest of his time at Adelphi. 鈥淚 had classes in the morning, worked at WLIR in the afternoon, and had rehearsals for whatever play I was in on campus at night,鈥� he says.

After graduating from Adelphi in 1970, Mr. Neer continued working at WLIR full time. He and his friend and colleague Michael Harrison, convinced the station鈥檚 owner that Long Island needed a rock and roll station. 鈥淭he owner gave it a try, and within six months we were the number one radio station on Long Island,鈥� he recalls of the station鈥檚 change to a progressive rock format.

One Friday evening after work, Mr. Neer and Mr. Harrison were sitting on the roof of WLIR, looking out at the view of Long Island and New York City. They had a radio with them, tuned into WNEW. 鈥淲e hear Rosko, the big star of WNEW at the time, say it was his last show, and he would be leaving the station,鈥� he says.

That Monday morning at 6:00 a.m., Neer and Harrison were in Manhattan, camped out at the doorstep of WNEW. Three hours later, WNEW鈥檚 program director, Scott Muni, agreed to meet them, and they spent the next two hours talking with him. After several weeks, and even more meetings, they were hired.

Mr. Neer started at WNEW in April of 1971 as music director, and hosted two weekend shows. 鈥淎t that time, we could play whatever we wanted. Listeners never knew what they were going to hear next,鈥� he says. 鈥淭hat was what free form radio was all about: improvising, talking when you felt like it, playing records you wanted to play, as opposed to any kind of formal playlist.鈥�

鈥淧romotion men who worked for record companies would try to get you to play their records. They鈥檇 鈥榟ype you鈥� on their records鈥�take you to the artist鈥檚 concerts. That鈥檚 how I met Bruce Springsteen. He and I went on to become good buddies鈥攎ostly on the telephone, when he’d call and we’d talk for hours while I did the overnight show. This was before Born to Run came out, when he was just a scruffy kid from New Jersey who had made a couple of artistically successful but poor selling records.鈥�

In 1975, when WNEW was doing live concerts on the air, Mr. Neer had the foresight to convince Mel Karmazin, WNEW鈥檚 general manager at the time (and current CEO of Sirius XM Radio), to do Bruce Springsteen. 鈥淚 had to tell Mel, 鈥楤ruce is going to be big! This would be a big feather in our cap to do the first live Bruce Springsteen concert.鈥欌�� And they did it. 鈥淚t was like that with Billy Joel鈥攁fter he came out with Piano Man, we did a live concert at the Bottom Line,鈥� he says. 鈥淚t was a direct, unfiltered way of exposing music.鈥�

Mr. Neer was also instrumental in introducing Monty Python to an American audience, conducting the first interview with them when they came to America. The same was true with听 Peter Allen. Mr. Neer kept playing him on the radio and before long, other disc jockeys got into him too. 鈥淏efore you knew it, people started buying his records and he became popular. It was almost like you had this great power,鈥� he says. 鈥淵ou could help musicians get the exposure they deserved; you could discover a band and support them. Many became big stars and it felt great to play a small role in their success.鈥�

By the late 1970s, however, the free form format of radio that Mr. Neer enjoyed so much began to dissipate.听 鈥淭he bean counters started realizing you could make money doing FM. As ratings became important, consultants came in, and they said you needed to have more structure,鈥� he says.

No longer could a DJ bring records from home and play them on air. Everything had to be approved by the music director first. As time went on, WNEW became very strictly formatted, until its change to talk radio format in 1999. 鈥淭hings got tighter and tighter until you got to where we are today, where there鈥檚 a playlist for everything, generated by a computer. And every station in the country is basically playing the same records.鈥�

After working at WNEW for 28 years, and understanding the cultural significance of the radio station, he wrote a book about the subject in 2001. Throughout FM: The Rise and Fall of Rock Radio, he describes the transformations in radio that occurred during his career.

He considers this to be his greatest professional accomplishment to date: 鈥淭he thing about radio is it is ephemeral. It鈥檚 in the air and it goes away, although these days it seems like everything is preserved on the internet. But the book documenting those years鈥攊t鈥檚 something that will last. The book is the permanent record of what we did.鈥�

Today, Mr. Neer continues to do what he loves most on WFAN, where he has been since 1988. Although he misses the early days of WNEW-FM, his work at WFAN is rooted in what he loves most about radio. 鈥淭he wonderful thing about sports talk radio is that you鈥檙e taking phone calls and doing interviews鈥攜ou鈥檙e talking for the entire hour. The show really revolves around your ideas, personality, and the topics you want to cover鈥攕o it鈥檚 very much back to what free form radio playing music was all about,鈥� he says.

In addition, Mr. Neer writes for Talkers Magazine, 鈥淭he Bible of Talk Radio and the New Talk Media.鈥� He also conducts exclusive interviews with novelists as host of the podcast, at .